Per Sempre: le favole di papà (Italian Edition)

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Carnaroli is a tall plant, with wide and deep green leaves. Brown Carnaroli rice is available, with minimum processing, suitable for rice salads and accompaniment. Buy Contacts A variety similar to Carnaroli, with less firm after cooking, but suitable for soft and delicate risotto dishes. The plant is tall enough, with yellow grains.

Buy Contacts A variety with a round grain suitable for cakes, soups, or stews. After being cooked it is not as firm as other varieties. This makes it ideal for the preparation of easy recipes which require a better blending of the grains with the other ingredients. Same as Carnaroli variety, it is featured by a high amylose percentage and it has excellent cooking firmness properties suitable for risottos and more elaborated preparations.

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The grain has smaller dimensions than the other traditional risotto rice varieties; thus it is classified according to Italian legislation in the Semifini group, although its cuisine quality is high. In the country it is featured by a purplish coloured plant, low yelds, and it necessitates careful attention during cultivation, being susceptible to lodging and fungal diseases. Buy Contacts Our naturally red coloured variety. It has a long grain and it is classified in Superfino group.

The grain is brown, with minimum processing to preserve its colour features. Suitable for rice salads and inventive baking. Be careful to limit excess cooking water to enhance the concentration of anthocyanins, high quality antioxidants responsible for its colouring.

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Why our rice? And then I can't make out what song it is she's singing. Her voice is very low. It sounds beautiful to me, but she laughs when I say that. I really can't tell what's beautiful anymore.

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I passed two young fellows on the street the other day. I know who they are, they work at the garage. They're not churchgoing, either one of them, just decent rascally young fellows who have to be joking all the time, and there they were, propped against the garage wall in the sunshine, lighting up their cigarettes. They're always so black with grease and so strong with gasoline I don't know why they don't catch fire themselves.

They were passing remarks back and forth the way they do and laughing that wicked way they have. And it seemed beautiful to me. It is an amazing thing to watch people laugh, the way it sort of takes them over. Sometimes they really do struggle with it. I see that in church often enough. So I wonder what it is and where it comes from, and I wonder what it expends out of your system, so that you have to do it till you're done, like crying in a way, I suppose, except that laughter is much more easily spent. When hey saw me coming, of course the joking stopped, but I could see they were still laughing to themselves, thinking what the old preacher almost heard the say.

I felt like telling them, I appreciate a joke as much as anybody. There have been many occasions in my life when I have wanted to say that. But it's not a thing people are willing to accept. They want you to be a little bit apart. I felt like saying, I'm a dying man, and I won't have so many more occasions to laugh, in this world at least. But that would just make them serious and polite, I suppose. I'm keeping my condition a secret as long as I can. For a dying man I feel pretty good, and that is a blessing. Of course your mother knows about it. She said if I feel good, maybe the doctor is wrong.

But at my age there's a limit to how wrong he can be. That's the strangest thing about this life, about being in the ministry. And then sometimes those very same people come into your study and tell you the most remarkable things. There's a lot under the surface of life, everyone knows that. A lot of malice and dread and guilt, and so much loneliness, where you wouldn't really expect a find it, either. About This Guide Since the publication of Marilynne Robinson's widely praised debut, Housekeeping , readers have long anticipated a second novel from this extraordinary writer.

Gilead at last fulfills that hope, combining a profound exploration of life's mysteries with magnificent storytelling. Told through the eyes of a Midwestern minister nearing the end of his life, Gilead unfolds in the form of a letter. As Reverend Ames writes to his young son, we learn of the family's legacy, a heritage steeped in abolition, economic hardship, and conflicting views on religion and war as each generation comes of age.

The s find John Ames comparing his grandfather, a fiery Union Army chaplain, to his devoutly pacifist father while a gentle turn of events poses the question of racial equality in new terms. Throughout the novel, he recalls a life shaped by love -- for his faith, his vocation and his church, for prayer, for his town and all it has meant, for his father and grandfather, for his books, for baseball, for his lifelong friend, for his physical life and the splendors of the physical world, for his memories, and for the young wife and infant child to whom he remains loyal over solitary decades.

Stirring an array of questions regarding peace and turmoil, faith and disillusionment, memory and mortality, Gilead illuminates each facet of these issues with sparkling precision. We hope this reader's guide will enrich your experience as you explore Marilynne Robinson's captivating meditation on destiny and devotion. Questions and Subjects for Discussion 1.

What was your perception of the narrator in the opening paragraphs? In what ways did your understanding of him change throughout the novel? Did John's own perception of his life seem to evolve as well? Biblical references to Gilead a region near the Jordan River describe its plants as having healing properties.

According to some sources, the Hebrew origin of the word simply means "rocky area. The vision experienced by John's grandfather is a reminder that the Christ he loves identifies utterly with the oppressed and afflicted, whom he must therefore help to free. He is given his mission, like a biblical prophet. This kind of vision was reported by many abolitionists, and they acted upon it as he did. What guides John in discerning his own mission? How does John seem to feel about his brother's atheism in retrospect? What accounts for Edward's departure from the church?

What enabled John to retain his faith? The rituals of communion and baptism provide many significant images throughout the novel. What varied meanings do John and his parishioners ascribe to them? What makes him courageous enough to see the sacred in every aspect of life? One of the most complex questions for John to address is the notion of salvation -- how it is defined, and how or whether God determines who receives it.


How do the novel's characters convey assorted possibilities about this topic? What answers would you have given to the questions John faces regarding the fate of souls and the nature of pain in the world? Marilynne Robinson included several quotations from Scripture and hymns; John expresses particular admiration for Isaac Watts, an eighteenth-century English minister whose hymns were widely adopted by various Protestant denominations. Do you believe that certain texts are divinely inspired?

What is the role of metaphor in communicating about spiritual matters? Discuss the literary devices used in this novel, such as its epistolary format, John's finely honed voice, and the absence of conventional chapter breaks save for a long pause before Jack's marriage is revealed. How would you characterize Gilead 's narrative structure?

What commentary does John offer about the differences between his two wives? Do you agree with Jack when he calls John's marriage unconventional? John describes numerous denominations in his community, including Lutherans, Presbyterians, Methodists, Quakers, and Congregationalists. What can you infer from the presence of such variety? Or does the prevalence of Protestants mean that there is little religious variety in Gilead?

What might John think of current religious controversies in America?

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In what ways are his worries and joys relevant to twenty-first-century life? John grapples mightily with his distrust of Jack. Do you believe John writes honestly about the nature of that distrust? What issues contribute to these struggles with his namesake? Discuss the author's choice of setting for Gilead.

Is there a difference between the way religion manifests itself in small towns versus urban locales? What did you discover about the history of Iowa's rural communities and about the strain of radicalism in Midwestern history? Did it surprise you? Abolition drew John's grandfather to the Midwest, and the novel concludes at the dawn of the civil rights movement. In what ways does this evolution of race relations mirror the changes John has witnessed in society as a whole?

Is Gilead a microcosm for American society in general? In his closing lines, John offers a sort of benediction to his son, praying that he will "grow up a brave man in a brave country" and "find a way to be useful. What do you imagine John experiences in his final sleep? Robinson's beloved debut novel, Housekeeping , features a narrator with a voice just as distinctive as John's.

Do the longings conveyed in Housekeeping and Gilead bear any resemblance to one another? How might John have counseled Ruth? See All Customer Reviews. Shop Books. Read an excerpt of this book!